The Centre for Practice Based Research in the Arts is hosting a day of work in progress presentations on Wednesday 29th May 2019 in Pf06.
The day offers staff and postgraduate students an opportunity to seek feedback on developing work in progress. These events use the Critical Response Framework (CRP) developed by Liz Lerman as a way to structure discussion and allow the participants to gain the most from giving and receiving feedback. The aim is to enable the artists involved to produce their best work possible and to share ideas about creating and disseminating artistic practice as part of practice-research methodologies.
Magz Hall’s chapter ‘It’s on Your Head, It’s in Your Head: The Artistic Exploration of Radio as Material Reflections on Post-digital Practice’ has recently been published in Trends in Radio Research: Diversity, Innovation and Policies by Cambridge Scholars Publishing.
The Royal Musical Association Music and/as Process study group will be holding their 2019 Conference at the Institute of Contemporary Music Performance in London on Friday, 26th July.
Transmission Spores (2018) was made for a touring exhibition called The Ash Archive, a touring exhibition across Kent, Jan – Nov. It was exhibited at Studio 3 Gallery, Kent University, Limbo Margate, Halpern Gallery UCA, Folkestone Salt Festival and at the Kaleidoscope Gallery Medway and ACE Funded.
Jason Hodgson’s composition will be performed by the Ligeti Quartet in Liverpool on Saturday 16th March 2019.
The Orpheus Institute for Artistic Research in Music (Belgium) will be hosting a seminar in partnership with CCCU for Wintersound Festival 2019.
WordsnWaves is a collaborative project which produced two live performances involving bespoke digital technologies and the spoken word in 2018. The aim of this project is to establish a creative collaboration and knowledge exchange between experienced practitioners of music technology (Daniel Herbert) and literary performance (Aidan and Miriam Dooley) within the School of Music and Performing Arts. The project seeks to explore the intersections between text, music, sound, visuals and theatre in live context through the creation and use of bespoke software in response to the spoken word.
WINTERSOUND: 24-26 January 2019 @ Sidney Cooper Gallery
Returning for its third year, the Sidney Cooper Gallery is warmed from its midwinter chill by striking performances and sound installations by local, national and international composers, sound artists and improvisers. This year we celebrate collaborations with Free Range, Canterbury Christ Church University and The Orpheus Institute for Artistic Research In Music, Ghent.
Emily Peasgood, composer, sound artist and CCCU PhD student, has won a British Composer Award!