{"id":5397,"date":"2019-06-21T11:34:06","date_gmt":"2019-06-21T10:34:06","guid":{"rendered":"https:\/\/blogs.canterbury.ac.uk\/politics\/?p=5397"},"modified":"2019-06-24T08:49:16","modified_gmt":"2019-06-24T07:49:16","slug":"this-is-what-art-looks-like","status":"publish","type":"post","link":"https:\/\/blogs.canterbury.ac.uk\/politics\/2019\/06\/21\/this-is-what-art-looks-like\/","title":{"rendered":"This is What Art Looks Like!"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-medium wp-image-5401 alignleft\" src=\"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-content\/uploads\/sites\/645\/2019\/06\/Tate_Exchange_30.05.19_22-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-content\/uploads\/sites\/645\/2019\/06\/Tate_Exchange_30.05.19_22-300x200.jpg 300w, https:\/\/blogs.canterbury.ac.uk\/politics\/wp-content\/uploads\/sites\/645\/2019\/06\/Tate_Exchange_30.05.19_22-768x512.jpg 768w, https:\/\/blogs.canterbury.ac.uk\/politics\/wp-content\/uploads\/sites\/645\/2019\/06\/Tate_Exchange_30.05.19_22-1024x683.jpg 1024w, https:\/\/blogs.canterbury.ac.uk\/politics\/wp-content\/uploads\/sites\/645\/2019\/06\/Tate_Exchange_30.05.19_22-680x453.jpg 680w, https:\/\/blogs.canterbury.ac.uk\/politics\/wp-content\/uploads\/sites\/645\/2019\/06\/Tate_Exchange_30.05.19_22.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"background: white;margin: 0cm 0cm 11.25pt;text-align: left\">High\u00a0in a tower on London\u2019s Southbank, a secret collective gathered on a grassy corner to plot insurrection \u2013 or at least, ban packaging and overturn the sugar tax. On the 29\u00a0of May, a three-day show at the Tate Modern saw PolIR @ CCCU team up again\u00a0with young artists from Astor College, Dover, to try and change how we look at politics. Through a series of pop-up protests, artistic interventions and workshops the public were invited to create their own reality; given the platform to escape the trappings of Brexit and byelections and come together to talk and produce a new form of politics.<!--more--><\/p>\n<p style=\"text-align: start;background: white;margin: 0cm 0cm 11.25pt 0cm\"><span style=\"font-family: Helvetica, sans-serif\">The show represents the culmination of phase 3 of CCCU\u2019s contribution to the Tate Exchange project working together with Valley\u2019s Kids, Wales as well as People United, Canterbury. The theme for this year\u2019s Tate Exchange is Movement and the project used animation and \u2018user-generated protests\u2019 to explore how political movements\u00a0<em><span style=\"font-family: 'Helvetica',sans-serif\">move.<\/span><\/em>\u00a0The young artists have been exploring how consensus and autonomy could affect their lives and developed a carnival of political art. At one table a group of young artists guided the public through the creation of thaumatropes \u2013 a disk with a different picture on each side, which combine when spun \u2013 where politicians were \u2018milkshaked\u2019 and Donald Trump was caught in a cage. Paints and craft materials were provided for the creation of political posters; many punters though, ignored these intentions in favour of creating their own artworks, seizing autonomy in a space usually reserved quietly looking at artworks. In the middle of this creativity the public were invited to suggest a cause for a political protest. The young people then selected one of these causes via a consensus meeting, and performed the protest. \u00a0Using music, chanting and dance they made themselves heard on a range of issues from street safety in Dover to the legitimacy of socially engaged art.<\/span><\/p>\n<p style=\"text-align: start;background: white;margin: 0cm 0cm 11.25pt 0cm\">More important than the work being produced were the\u00a0conversations and reflections where the inner rhythms of daily lives came together and bent to new perspectives and ideas. The traditional logic of gallery programming was cast aside to experiment with breaking out of artistic and political conventions. This was an enjoyable way to engage with some difficult topics and the young artists created a space for us to play with politics, and have fun while doing it.<\/p>\n<p style=\"text-align: start;background: white;margin: 0cm 0cm 11.25pt 0cm\"><span style=\"font-family: Helvetica, sans-serif\">The project has been developed by CCCU Director of Politics and International Relations Professor David Bates, Politics and International Relations PhD student Tom Sharkey, and the young people of Astor College, Dover, led by June Bates. The project develops work from Canterbury Christ Church University\u2019s Activism Research Network and builds on the shows\u00a0<em><span style=\"font-family: 'Helvetica',sans-serif\">Fairground\u00a0<\/span><\/em>(2017)\u00a0and\u00a0<em><span style=\"font-family: 'Helvetica',sans-serif\">The Production of Otherness<\/span><\/em>\u00a0(2018) which attracted over 5,000 visitors to the gallery over the last two years. Reflecting on the success of the week project lead David Bates said:<\/span><\/p>\n<blockquote><p>The three years of work, in Partnership with Tate Exchange, has resulted in a a form of politically engaged practice which has changed minds and indeed changed lives. The young people we have worked in partnership with have demonstrated an ability and willingness to tackle complex political issues head on \u2013 without fear. Our evaluation shows also that the members of the public who experienced our work at the Tate Modern were very impressed. I am really proud to have had the opportunity to work with Astor College Dover, and Valleys Kids<span style=\"font-size: 1rem\">, Wales.<\/span><\/p><\/blockquote>\n<p><em>Tom Sharkey is a PhD Student in Politics and International Relations<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>High\u00a0in a tower on London\u2019s Southbank, a secret collective gathered on a grassy corner to plot insurrection \u2013 or at least, ban packaging and overturn the sugar tax. On the [&hellip;]<\/p>\n","protected":false},"author":117797,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-5397","post","type-post","status-publish","format-standard","hentry","category-events"],"acf":[],"aioseo_notices":[],"authorName":"LVM","featuredImage":false,"postExcerpt":"High\u00a0in a tower on London\u2019s Southbank, a secret collective gathered on a grassy corner to plot insurrection \u2013 or at least, ban packaging and overturn the sugar tax. On the [&hellip;]","_links":{"self":[{"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/posts\/5397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/users\/117797"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/comments?post=5397"}],"version-history":[{"count":6,"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/posts\/5397\/revisions"}],"predecessor-version":[{"id":5417,"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/posts\/5397\/revisions\/5417"}],"wp:attachment":[{"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/media?parent=5397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/categories?post=5397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.canterbury.ac.uk\/politics\/wp-json\/wp\/v2\/tags?post=5397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}